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Mimi's Bio

"Beyond her passion and technical virtuosity, Fox plays with a profundity that only results from a lifetime of commitment and total immersion in one's art." - Guitar Player Magazine

 

Internationally renowned guitarist/composer/recording artist Mimi Fox has been cited in numerous Downbeat Magazine International Critics Polls and has been recognized by writers and colleagues alike as one of the most eloquent guitarists on today's scene. In one of many feature stories, JazzTimes hailed Mimi as “a blazing fret master who combines be-bop infused lines with an abundance of soul...spinning solos that unfurl with surprise twists like expertly tailored short stories.”  

 

In a further nod to Mimi's guitar artistry, and in conjunction with Heritage Guitars' 30th anniversary, the historic Kalamazoo guitar company has rolled out the Mimi Fox Artist Signature model. Mimi has performed and recorded with some of the music world's most commanding players, including fellow guitarists Charlie Byrd, Stanley Jordan, and Charlie Hunter, saxophone greats Branford Marsalis, David Sanchez, Houston Person, and the late Don Lanphere, vocalists Tierney Sutton, Kevin Mahogany, and Janis Siegel (Manhattan Transfer), B3 organ masters Joey DeFrancesco, Barbara Dennerlein and Dr. Lonnie Smith, and powerhouse drummers Billy Hart and Terri Lyne Carrington. She has also shared the stage with legends Stevie Wonder and Peter Yarrow (Peter, Paul, and Mary) and toured as a featured artist with Patty Larkin's Vanguard Records-produced La Guitara project. Her YouTube videos have received hundreds of thousands of views.   

 

As a virtuosic improviser who’s collaborated with many of jazz’s greatest figures, Mimi has earned her spot in the jazz guitar pantheon. Her 12th and most recent album, One For Wes, is a consistently blazing centennial tribute to guitar legend Wes Montgomery featuring her smokin’ organ trio. The New York City Jazz Record describes the album as “a heartfelt tribute to the iconic musician, showcasing her exceptional skill and versatility across various musical styles.” Though swinging is the prime directive, the album covers a wide swath of musical territory, much like her previous release This Bird Still Flies. Breathtaking in its beauty, emotional immediacy and stylistic reach, that seamless but far-ranging all-acoustic project encompasses folk tunes, jazz standards, original compositions and popular songs. 

 

Her 2013 album Standards, Old & New received universal praise: “mastery, each piece is a gem”... Grammy nominated writer Jim Ferguson. Mimi released three recordings on Steve Vai's Favored Nations label including the 2010 DVD Live at the Palladium. This recording captures her in front of a sold-out audience and has all the magic and excitement of a live performance. Pop Culture Classics said, “Fox demonstrates her vibrant virtuosity in this concert and turns each selection into a distinctive gem.” Just Jazz Guitar wrote, “This is simply jazz guitar playing at its best. Her Ideas are creative, heartfelt, and sophisticated.” Similarly, 2006's double CD Perpetually Hip received rave reviews from numerous publications including the San Francisco Chronicle, which called this project Fox's “masterwork” and said, “The two discs stand as a definitive Fox statement. The first showcases her simmering interplay with a quartet featuring drum maestro Billy Hart, while the second captures her breathtaking solo style in an approach that is as harmonically resourceful as it is lyrically inventive.” 

 

Mimi had already established her credentials as a worthy successor to Joe Pass with the astonishing 2001 Origin Records solo album, Standards. In a glowing Cadence Magazine review Jim Josselyn wrote “to say Mimi Fox's touch, sound, sensitivity and understanding of the guitar as a solo vehicle of expression is masterful would be an understatement. This is simply some of the best guitar music I have heard.” She introduced herself to the international jazz scene in the 1990s with a pair of CDs on Monarch Records including Kicks, a high-energy project pairing her with collaborators such as Joey DeFrancesco and the Yellowjackets Russell Ferrante and Will Kenney. Allaboutjazz.com awarded the album a superlative four star rating, writing “This is a strongly melodic collection and one that swings out stylishly. Mimi Fox is a major talent.”    

 

Mimi maintains a whirlwind touring schedule, playing major festivals from New York to Tokyo, including tours of the Caribbean, Japan, Thailand, Australia, New Zealand and Europe. International festivals include the Montreal, Guinness Cork, and Perth International Jazz Festivals. Stateside, she has headlined at elite festivals/venues such as the Detroit, Monterey, and Newport festivals, Jazz At Lincoln Center, Merkin Concert Hall, and the Village Gate in New York City, the Regattabar and Scullers in Boston, the Kennedy Center and Blues Alley in Washington D.C., the Triple Door and Jazz Alley in Seattle, and Yoshi’s and the Great American Music Hall in the San Francisco Bay Area.     

 

As a composer, Mimi has written and performed original scores for orchestras, documentary films and dance projects while receiving grants from prestigious funders such as Meet the Composer and the California Arts Council. NEA Jazz Master Terri Lyne Carrington included her composition “Perpetually Hip” in her groundbreaking book New Standards: 101 Lead Sheets By Women Composers. Mimi has received repeated grants from the William James Association/California Arts Council to give concerts and workshops in California prisons as part of the highly successful Arts In Correction program. She has also appeared on numerous television shows such as “BET on Jazz” and has been a guest on many radio shows, including Marian McPartland's long running public radio program “Piano Jazz.” 

 

As a devoted educator and clinician, Mimi has taught master classes worldwide while serving as head of the guitar program at the Jazz School in Berkeley and Associate Professor at the California Jazz Conservatory. Mimi is also a Visiting Artist at the Brubeck Institute. In 2005, Mimi received an award from the International Association Of Jazz Educators for outstanding service to jazz education. She has published several popular instructional books and numerous courses for Mel Bay Publications and TrueFire.

 

Born in New York City, Fox started playing drums at nine and guitar when she was ten. She was inspired by the wide variety of music enjoyed by her family - show tunes, classical, Dixieland, Motown - and her own youthful inclination towards pop, folk, and R&B. She bought her first jazz album at 14, and that LP, John Coltrane's classic Giant Steps, changed the course of her musical life. She began touring right out of high school and eventually settled in the San Francisco Bay Area, where she became a sought after player. 

 

Whether delivering jaw-dropping solo sets, performing dazzling duets with sympathetic partners, or leading a hard-charging combo, Mimi is a consummate improviser who seizes the imagination of her listeners with her passion, soul, and unerring ear for beauty.

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